Skip to main content

photographing indoors

On my courses I get many questions about taking photographing food indoors using ambient light in the evening.  I teach how the best way to take pictures of food, controlling the light either in the studio or in your home. This week at home my wife said to me  " I am making marmalade do you want to take some pictures?" It was in the evening, and I had just settled down on the sofa. I reluctantly followed her into the kitchen and recognised the problem that many people have when photographing their food at home, in the kitchen at night. Lots of bright and harsh kitchen lights. I reduced  the lighting so only a single oven hood light illuminated the kitchen work top. The scene was dramatic and created lots of good deep shadows. Next I set my smart phone camera to a high ISO setting to try and avoid camera shake, and took some photos
Photo 1

 Photo 1, The marmalade was boiling merrily away in the preserving pan, but my problem was that steam was fogging my lens.  I experimented with  taking the picture quickly and changing my angle until I got my favourite shot.



Photo 2
Photo 2,  my wife stirred the mixture which inspired me to photograph  the orange peel on the the ladle, again different angles created a different light. I did not like too much mixture on the spoon so made sure my final picture had a the right amount.




Photo 3









Photo 3, the kitchen surface was  full of empty glass jars ready for filling and initially I wanted to get a shot of pouring the marmalade into the jars and tried different angles and variations. In the end I decided that the light direction and the angle of the ladle just wasn't working, on a shoot I would try a different position and set up to achieve the shot I wanted, but being an informal evening picture taking session it was  not appropriate so I re thought my idea and decided that a simple still life with the jars filled worked the best.



Photo 4


Photo 4, The next morning over breakfast I realised that sunlight was illuminating the amber coloured marmalade in the jar, I quickly got my phone out and positioned the jars so the that light was behind the stack bringing out the colour of the marmalade. It was a simple stack of jars and after experimenting with camera angles I decided that a simple tilted picture worked best.
So things to work out when photographing in kitchens at night.
1. Keep the lighting simple and position yourself to avoid and flare or ugly highlights
2. Experiment with camera angles and composition to create simple but strong photos
3. keep an open mind and  be ready when the sun is out.

Have fun with your photography

Comments

Popular posts from this blog

Pro Tip Series #2 The best Lens for Food Photography

  Many people on my courses ask what is the best lens for food. For cropped sensor cameras with the ability to change lenses- the DX Nikon range and the APS-C for Canon I recommend this Sigma lens- Sigma 17-70mm f/2.8-4 DC Macro OS HSM https://www.sigma-imaging-uk.com/lens-item/17-70mm-f2-8-4-dc-macro-os-hsm/ I am not affiliated or employed by Sigma so my advice is un biased and accept that many have their favourite “got to” lens. Please check lens fit and compatibility when buying any lens for your camera. For full frame cameras- FX Nikon, EOS Canon I advise a lens with as similar focal length range as possible to the Sigma with the widest aperture you can afford. For example the full frame Nikon- 24mm-70mm f 2.8 is priced around £1300- ouch! A cheaper 24mm-70mm f 3.5/ f 4.5 is only £489...umm so why the big price difference for a similar focal length lens? I can hear some of you shouting at me- the difference is in the f number! The smaller the f number the ...

Pro Tip series #1

 Pro Tip series #1 Which is the best camera for food Photography? I get asked by many of those attending my courses or contacting me through my website, which is the best camera for food, or advice on a first camera to start shooting food projects. I will come back to that question but first a trip down my camera memory lane.... queue “twilight Zone” music I have not owned many cameras and have tried to upgrade as finances and opportunities allow. My first camera as a Professional was a Sinar 5x4 camera I bought it second hand for £300 ! Lens not included and remember travelling on the bus in some London suburb to pay cash for it. The lens took another year to buy. I hired lenses as needed. It is a camera definitely not for the faint hearted. It needs a sturdy tripod, the image is projected on the back screen upside down and the flipped left to right and sheet film is used measuring 5x4inches. It seems ancient now, but at the time delivered high quality images ...